THE HUNTER features some great cinematography, but it just all feels a bit like a rather undramatic stroll in the park says Jim Ross
THE DARK KNIGHT RISES stumbles in places, but draws on the themes of its predecessors in a gratifying way to deliver a spectacular and emotional finale, says Jim Ross
Ahead of THE DARK KNIGHT RISES, Jim Ross takes a look the influence of Christopher Nolan’s MEMENTO – a film that has pervaded his work from INCEPTION to THE DARK KNIGHT
Jim Ross got the opportunity to interview exciting talent Frances Lea about her career and new feature STRAWBERRY FIELDS
Jim Ross looks at Alex Barrett’s debut feature, LIFE JUST IS, which is screening at the Edinburgh International Film Festival this week.
Jim Ross thinks THE ANGELS’ SHARE is like a single malt with a huge block of ice. Read on to find out whether that’s good or bad…
“I’d like to annihilate the term ‘social realism'”: Ken Loach was recently in Cambridge and Jim Ross got the opportunity to talk to him about THE ANGELS’ SHARE.
In entirely spoiler-free fashion, Jim Ross reviews PROMETHEUS – Ridley Scott’s spectacular return to science-fiction after a 30-year absence.
Jim Ross takes in MOONRISE KINGDOM, Wes Anderson’s latest film, and wouldn’t hesitate in recommending it – even to Anderson sceptics.
Jim Ross previews the UK Green Film Festival (18th-20th May) and speaks to co-founder John Long