What RAG DOLL has done is bring to the surface the potential of reforming and evolving a relatively restrictive niche genre that could lead to a brand new glimpse into the unexplored world of female MMA.
Director Zed Nelson, better known for his photography, debuts his filmmaking skills and offers a small piece of an ever-expanding puzzle, spanning London’s boroughs and beyond with THE STREET. April McIntyre reviews.
BLACK NARCISSUS creeps along beside you until you realise something’s not quite right before, sometimes comically, leading you into an unnerving horror-verse, which slowly builds with the ringing bells and the beating of the village drums.
Not once does THE LIGHTHOUSE feel stale, complete with fart jokes, seagull attacks and some hilarious drunken moments. April McIntyre reviews.
African filmmaker Fanon faces her fears of being unheard in a whitewashed, male-dominated industry.
SECRETARIES: A LIFE FOR CINEMA shines a light on the women behind some of Italy’s most famous producers, directors and distributors.
Jason Barker has created an urgent and relevant film in A DEAL WITH THE UNIVERSE, but in a gentle and unassuming way. April McIntyre reviews.
April McIntyre reviews Panos Cosmatos’ heavy-metal, plaid-wearing, LSD-fuelled revenge thriller MANDY.
HAPPY AS LAZZARO is a conversation starter which balances nuance and neo-realism with its thoughtful, comedic and magical lead.
“He was more than just a linguist, he was the Indiana Jones of his time…” April McIntyre interviews the makers of EASTERN MEMORIES.