Chris Dobson reviews HONEYLAND, which features in this year’s Document Human Rights Film Festival in Glasgow.
Chris Dobson reviews THE GOLDFINCH, John Crowley’s adaptation of the Pulitzer Prize-winning novel by American novelist Donna Tartt.
Chris Dobson reviews THE SHOCK OF THE FUTURE: a gentle and pleasant paean to a genre of music that continues to thrive to this day.
In this well-edited and entertaining documentary, Penny Lane lifts the lid on what is perhaps the strangest religion of all. Chris Dobson reviews.
Chris Dobson reviews BALANCE, NOT SYMMETRY, the new film by Jamie Adams and Biffy Clyro’s Simon Neil, at Edinburgh International Film Festival 2019.
Focus on Chile 2019 provided an excellent introduction to Chilean cinema and culture, from the repressive 1970s and 80s to the present day. Chris Dobson reviews.
Chris Dobson looks at the evolution of the record-breaking Avengers franchise through the medium of the film’s posters.
Chris Dobson reviews ÁGA, which is screening across Scotland as part of Luminate Festival 2019.
May 2019 marks 80 years since the opening of Glasgow Film Theatre (GFT). Chris Dobson looks at what makes GFT both unique and a trendsetter in the Scottish cinema landscape.
LOREAK means ‘flowers’ in Basque. Unsurprisingly, therefore, flowers play a large role in this film by directors Jon Garaño and Jose Mari Goenaga. Garaño was also co-director of HANDIA, which in 2018 won ten Goya Awards. Released in 2014, LOREAK made history by becoming the first Basque-language film to be selected as the Spanish entry … Continue reading Loreak (Flowers)