THE FRUIT MACHINE plunges a serrated knife of injustice and homophobia deep into the golden heart of Canadian liberalism. Elle haywood reviews at BFI Flare 2019.
Elle haywood spoke to Syllas Tzoumerkas – director of THE MIRACLE OF THE SARGASSO SEA at Berlinale.
METAL HEART is rather enjoyable in its sentiments, surprisingly funny and provides a fresh take on the sub-genre. Elle Haywood reviews from Glasgow Film Festival.
As the Glasgow Film Festival 2019 drew to a close after an excellent few weeks of riveting, enlightening and original cinema, Elle Haywood heads to catch one of the last screenings of the festival.
We spoke to Mark Jenkin, director and filmmaker, after attending his film BAIT at this year’s Berlinale. Elle Haywood: Having created both documentaries and short films – is your process different between the two or quite fluid? Mark Jenkin: There’s always an element of documentary in the narrative stuff that I do, and there’s always … Continue reading Interview with Mark Jenkin
OUT STEALING HORSES is a rich, emotionally-charged drama that philosophically delves into the core foundations of human interaction. Elle Haywood reviews at Berlinale.
BAIT splatters a bleak Cornish canvas with the bright fury of locals, and the surging tones of the tourist…
BY THE GRACE OF GOD is an incredibly bold contender in the Berlinale competition, writes Elle Haywood.
Director Lone Schonfeld and Zoe Kazan, Andrea Riseborough, Tahar Rahim, Caleb Landry Jones and Bill Nighy on THE KINDNESS OF STRANGERS.
The panel at Berlinale talk about the improved ratio of female filmmakers in competition, and ask – has Netflix killed cinema?