John Cheshire reviews MY FRIEND DAHMER, which is performing well at Tribeca, Cannes and Deauville Film Festivals and fast approaching its cinema release,
A face in the flames, a red veined glass ingot and a rotting house on the brink of collapse. Aronofsky’s MOTHER! begins as it ends, writes John Cheshire.
The third half of John Cheshire’s diary entries from the 70th edition of the Cannes Film Festival! But what did he discover? What cinematic secrets will he divulge? Read on to find out more!
Read parts 3 and 4 of John Cheshire’s Take One diary, written in the queues at this year’s Cannes Film Festival
Would you let a blue-bellied Yankee-doodle dandy into your school for girls? John Cheshire reviews Sofia Coppola’s latest feature film, premiering at the 70th edition of the Cannes Film Festival.
Punk rock rules! There are extra-terrestrial goings on in Croydon as John Cheshire discovers, reviewing John Cameron Mitchell’s latest feature film at Cannes Film Festival.
It’s John Cheshire’s first foray down to the South of France and the 70th Edition of the Cannes Film Festival. What will he find, and which films will he see? Read his diary entry here!
When a small southern Ukrainian village is 20 kilometres from the nearest police intervention, ‘who you gonna call?’… The Ukrainian Sheriffs. In the village of Stara Zburjivka, two deputised sheriffs are instated to watch over the land and mediate any problems the village people may come upon. Filmed as a factual documentary in a style … Continue reading Ukranian Sheriffs
“And then one day the invisible man decided: ‘I will make them see me…'” John Cheshire reviews A MONSTER CALLS at BFI London Film Fest!
WIENER DOG lies somewhere between the comfortable, warm sofa and the miserable, cold doghouse, writes John Cheshire.