Alison Klayman’s documentary is a fascinating and often inspiring portrait of the famous artist and activist, writes Jim Ross
Although quite enjoyable, you’ll be left feeling that JACKPOT is a mish-mash of much better films, writes Jim Ross
SEARCHING FOR SUGAR MAN continues a great year for the musical documentary, writes Jim Ross
THE HUNTER features some great cinematography, but it just all feels a bit like a rather undramatic stroll in the park says Jim Ross
THE DARK KNIGHT RISES stumbles in places, but draws on the themes of its predecessors in a gratifying way to deliver a spectacular and emotional finale, says Jim Ross
Ahead of THE DARK KNIGHT RISES, Jim Ross takes a look the influence of Christopher Nolan’s MEMENTO – a film that has pervaded his work from INCEPTION to THE DARK KNIGHT
Jim Ross got the opportunity to interview exciting talent Frances Lea about her career and new feature STRAWBERRY FIELDS
Jim Ross looks at Alex Barrett’s debut feature, LIFE JUST IS, which is screening at the Edinburgh International Film Festival this week.
Jim Ross thinks THE ANGELS’ SHARE is like a single malt with a huge block of ice. Read on to find out whether that’s good or bad…
“I’d like to annihilate the term ‘social realism'”: Ken Loach was recently in Cambridge and Jim Ross got the opportunity to talk to him about THE ANGELS’ SHARE.