HOW I CAME TO HATE MATHS is worth showing to the kids, according to Sarah Dillon
THE CASE AGAINST 8 may not be frilly, but it doesn’t need to be, according to Sarah Dillon.
NINGEN delights in a type of storytelling so refreshing in its refusal to be defined by simple morals, neat endings and tied up plots, writes Sarah Dillon.
Not even Colin Firth can breathe life into MAGIC IN THE MOONLIGHT, writes Sarah Dillon.
Knowing self-deprecation is the calling card of THE GLITTERBALL, according to Sarah Dillon.