To commemorate the release of the new GREAT EXPECTATIONS, Mike Levy reveals the whereabouts of one of the world’s greatest literary treasures. The answer will surprise you.
The MADWOMEN countdown to GREAT EXPECTATIONS continues with Liam Jack’s look back at CITIZEN KANE. Was Susan Kane Orson Welles’ take on Dickens’ Miss Havisham?
The latest addition to our MADWOMEN theme is a closer look at Anna in POSSESSION, from our newest writer Jon Toomey.
Look out for a young Vincent Price in Douglas Sirk’s flagrant Freudian fable. Rosy Hunt nominates Gene Tierney in LEAVE HER TO HEAVEN for our MADWOMEN series.
Oliver Krimpas’ GHOST IN THE MACHINE is a chaste, humorous love story reminiscent of Stephen King’s more light-hearted tales of the unexpected. We spoke to Oliver about his work.
In NOTES ON A SCANDAL, a wealthy bohemian art teacher starts an ill-advised affair with a student. All of that might’ve been okay if it weren’t for Barbara, played flawlessly by Judi Dench: Patrick Fowler’s nominated madwoman.
Is Mabel truly mad, or just misunderstood? Sarah McIntosh looks back at the cunning Cassavetes classic A WOMAN UNDER THE INFLUENCE, as part of our MADWOMEN theme.
“She has done for me at last, Rachel my torment…” Ann Linden’s pick for the MADWOMEN season is Olivia De Havilland as MY COUSIN RACHEL.
Told like a fairy tale, GHOST IN THE MACHINE is fun, rich and wicked. Kim Boyd reviews Oliver Krimpas’ short, which enjoyed great success at Cambridge Film Festival and at LSFF.
Liberal, progressive, feminist approaches to issues such as mental health and crime in a selection of films from 1910 – 1925? Jo Shaw attended the PSSST! Silent Film Festival in Zagreb.