Liam Jack reports back from the London Short Film Festival, where he spoke to filmmakers Fran Broadhurst and Mathy Tremewan about guerrilla filmmaking, the power of music and alien abduction.
Corporate takeovers – love ’em or hate ’em, when a pesky bully from the future is involved, you ain’t got nothing coming.
Dustin Hoffman and Lily Tomlin are existential detectives who you could hire to investigate the meaning of your life. Their nemesis is Isabelle Huppert. Hilarity ensues.
Edd Elliott offers the first in a series of cautionary tales on the topic of corporate takeovers. What does Nora Ephron have to teach us?
Rich pickings at this year’s Underwire Film Festival at the Ritzy in Brixton included panel discussions, one-to-one support events for filmmakers and a generous helping of short film screenings. Jo Shaw reviews.
To commemorate the release of the new GREAT EXPECTATIONS, Mike Levy reveals the whereabouts of one of the world’s greatest literary treasures. The answer will surprise you.
The MADWOMEN countdown to GREAT EXPECTATIONS continues with Liam Jack’s look back at CITIZEN KANE. Was Susan Kane Orson Welles’ take on Dickens’ Miss Havisham?
The latest addition to our MADWOMEN theme is a closer look at Anna in POSSESSION, from our newest writer Jon Toomey.
Look out for a young Vincent Price in Douglas Sirk’s flagrant Freudian fable. Rosy Hunt nominates Gene Tierney in LEAVE HER TO HEAVEN for our MADWOMEN series.
Oliver Krimpas’ GHOST IN THE MACHINE is a chaste, humorous love story reminiscent of Stephen King’s more light-hearted tales of the unexpected. We spoke to Oliver about his work.