Jacques Audiard might have tailored a slightly ill-fitting suit of great materials, but inside is an enjoyable yarn and captivating characters. Jim Ross reviews at Glasgow Film Festival.
A charming story, the lead performances and director Sudipto Roy’s eye leave an affectionate imprint with KIA AND COSMOS. Jim Ross reviews the UK premiere at Glasgow Film Festival.
Despite its brevity, this era of filmmaking is still regarded as the pinnacle of Hollywood filmmaking. The influence of these filmmakers is omnipresent today. Peter Thompson previews Glasgow Film Festival’s 1969 strand.
OUT STEALING HORSES is a rich, emotionally-charged drama that philosophically delves into the core foundations of human interaction. Elle Haywood reviews at Berlinale.
GRETA is a film that conceals that mystery within it’s artistic cinematography, in a way that’s equal parts frustrating and admirable. Ben Jones reviews for Berlinale.
STYX presents a personal moral quandary to comment on wider global issues, Wolfgang Fischer directing a superb performance from Susanne Wolff. Jim Ross reviews.
BAIT splatters a bleak Cornish canvas with the bright fury of locals, and the surging tones of the tourist…
BY THE GRACE OF GOD is an incredibly bold contender in the Berlinale competition, writes Elle Haywood.
Director Lone Schonfeld and Zoe Kazan, Andrea Riseborough, Tahar Rahim, Caleb Landry Jones and Bill Nighy on THE KINDNESS OF STRANGERS.
The panel at Berlinale talk about the improved ratio of female filmmakers in competition, and ask – has Netflix killed cinema?