Matteo Garone delivers a showpiece of raw gangsterism in the Italian suburbs, and the moral complexities of vengeance in a small town community.
Ulrich Köhler’s IN MY ROOM is an inventive and largely compelling take on the ‘last man on earth’ scenario, writes Tina Kendall.
SOLO has a nice shiny, squeaky Disney feel to it and lacks the rugged authenticity of the other films, writes Elle Haywood at the Cannes Film Festival.
Lars Von Trier delivers another uncomfortable cinematic viewing… Elle Haywood reports back from the Cannes premiere.
Elle Haywood reflects on her first couple of days at the Cannes Film Festival 2018, with fellow Take One reps Tina, Juanita, Jess and Catarina.
BLACKKLANSMAN is an astonishing comeback for Spike Lee, writes Juanita Samson.
TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.
THE CINEMA TRAVELLERS is bumbling and sweet, while also being a fierce tour de force of filmmaking skill, writes Emma Wilkinson.
The story is a gift and directors Jonathan Dayton and Valerie Faris pick it up and run all the way with it, writes Andrew Nickolds.
Coulibaly has brilliantly woven together a fast-paced, tense thriller with a heart…