A folky brew of pagan eroticism and eldritch menace, which remains profoundly influential, writes Danny Davies. See the Final Cut of THE WICKER MAN at CFF2013.
The Saturday finale of Edindocs spans the US military’s recent rebuilding operations in Afghanistan, and competitive gooseberry growing in North Yorkshire.
What will be your legacy? The Saturday matinee of Edindocs looks at how we make our mark, and at how the world communicates with us – even if we can’t see it.
Jane McAllister’s THE REGISTRARS is a fascinating little glimpse of the necessary bureaucratic workings of the modern state, writes Gavin Midgley.
Showcasing feature THE ACT OF KILLING & shorts CELTMAN!, UNRAVEL, SIMPLY ROB and SWEET CRUDE MAN CAMP, Jim Ross previews EdinDocs 2013 opening night
Cate Blanchett is a magnificent, slow-motion human disaster in Woody Allen’s BLUE JASMINE, writes Ann Linden.
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
MY DOG KILLER is not a film about right-wing extremism in Eastern Europe, rather it is about the consequences of neglect on humanity, writes Steve Williams.
THE COLOR OF THE CHAMELEON revisits communist Bulgaria and its secret police for a highly- stylised, absurdist dark commentary. Steve Williams reviews at the Edinburgh Film Festival.
Guy Pearce steals the show in Drake Doremus’ BREATHE IN, the opening night film at the 67th edition of the Edinburgh International Film Festival.