Dallas Buyers Club
Matthew McConaughey is completely believable as the arrogantly intolerant, coke snorting, Texan shag-monster in DALLAS BUYERS CLUB, writes Liam Jack.
Matthew McConaughey is completely believable as the arrogantly intolerant, coke snorting, Texan shag-monster in DALLAS BUYERS CLUB, writes Liam Jack.
Piracy threatens the outcome of an independent cinema in this quirky and eccentric short comedy from Cambridge student Camila Kater.
August: Osage County, adapted by Tyler Letts from his Pulitzer-winning play, retains a vivid theatricality in its new cinematic setting.
Martin Scorsese’s film struggles with the contradictions of its source material despite a nuanced performance from Leonardo DiCaprio, writes Robbie Griffiths.
After a shaky start, THE RAILWAY MAN emerges as a modestly moving portrayal of trauma and unlikely reconciliation, writes Gavin Midgley.
David O. Russell’s crime caper AMERICAN HUSTLE is an entertaining and sharp black comedy that rarely sags, writes Jim Ross.
The quiet drama of THE PATIENCE STONE makes for a powerful viewing experience, writes Amanda Randall.
Rosy Hunt reviewed DISTURBIA at Cambridge Film Festival in 2007. Just a quick note to show that we knew a long time ago that Shia LaBoeuf was feeble.
Justin Chadwick’s superficial overview of the late icon’s life fails to do justice to its subject, writes Gavin Midgley.
“Pure random genius.” Alison Hicks sent us this report on whether the ANCHORMAN sequel lived up to its cult predecessor.