Category Archives: Reviews

Asteroid City

ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.

Reality

Adapting from her own play, Tina Satter takes on a Herculean task with REALITY: transforming a stage production into a compelling film, all while continuing to keep the same true information and dialogue of an FBI interrogation transcript.

Unclenching the Fists

UNCLENCHING THE FISTS explores the struggles of a young woman named Ada, and is a powerful portrayal of the impact of patriarchal structures – societal and familial – on the women within.

Brainwashed: Sex-Camera-Power

Where perhaps BRAINWASHED may be treading old ground for some of those already versed in basic film theory, Nina Menkes provides a clear platform for further study and highlights the saturation of male power in the film industry: a systemic, toxic culture that needs urgently addressed.

Plan 75

Maturity and an optimistic offer of a more humane solution prevent PLAN 75 from being unbearably bleak. By showing something so terrible, the film is really showing what it so dearly values.

The Blue Caftan

THE BLUE CAFTAN is a film that rewards patience, and Maryam Touzani’s decision to keep the camera lingering on her stars’ bright, pained eyes in intimate moments enhances the emotional connection behind them.

The Astronaut

Nicolas Giraud directs and stars in THE ASTRONAUT (L’ASTRONAUTE), a gentle and beautifully shot film with some ambitious ideas around opening up space exploration and connecting with people on Earth. Although slow, the drama of the climax makes the journey worthwhile. Simon Bowie reviews.