A QUIET HEART weaves an engaging personal tale into a landscape of religious tension, writes Jim Ross from Edinburgh Film Festival.
A film that presses on raw nerve endings, Jim Ross reviews the story of a man coming to terms with childhood abuse, boasting perhaps Orlando Bloom’s paramount performance.
With its central story of loss, family and idealistic romance, BABY DRIVER functions as perfect five-star, popcorn entertainment. This is the Hollywood movie perfected, writes Peter Thompson.
By placing her faith in her own direction and characters, and not plot histrionics, Katherine Dieckmann’s intensely personal story feels all the more universal, writes Jim Ross at Edinburgh Film Festival.
SUEÑO EN OTRO IDIOMA, driven by excellent visual and acting work, delivers on most of the themes in a beautiful and heartbreaking script. Jim Ross reviews at Edinburgh International Film Festival.
Part road-trip film, part youthful adventure, ACCESS ALL AREAS is a journey of self-discovery for four frustrated teens. Mike Boyd reviews this world premiere at the Edinburgh International Film Festival.
This empty lacking. This quirky cutesy. This sugary syrupy. This irksome irritating. Jim Ross reviews THIS BEAUTIFUL FANTASTIC at the Edinburgh Film Festival.
GLORY (SLAVA) is an effective drama, using its characters to draw us into a bleak film infused with satire and dark humour. Jim Ross reviews from Edinburgh International Film Festival
The portrayal of sinister Scottish hicks in THE DARK MILE is, Jim Ross would like to think, mostly absurd to anyone north of the Watford Gap…
Harrowing, single-take brilliance: A visually-stunning, heart-stopping story set in the dark heart of Berlin, pushing cinematic boundaries to exhilarating heights.