LEAVE NO TRACE is a film of delicately balanced contrasts – understated yet emotive; contrasting yet coherent; personal yet topical. Jim Ross reviews.
Jim Ross reviews CALIBRE, an excellent new thriller, which had a premiere at the Edinburgh Film Festival and is now available on Netflix
This year the London Korean Film Festival is luring us with an M&M trail of teaser screenings, most recently Won Shin-yun’s MEMOIR OF A MURDERER (2017).
A treat from the vaults – Simon Rumley spoke to us at Cambridge Film Fest 2016 about his project CROWHURST, which is finally set for a 2018 release. Read all about it!
Mendonça has brought such warmth, humour and sensitivity to this piece, and AQUARIUS deserves to be seen by as many as possible, writes Ben Jones.
A LA RONDE-style depiction of modern German life, with all three elements of its title well represented.
Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey
Meet the mighty Evlin, an 8 year old refugee on the Turkish-Syrian border. Yozzie Osman reviews the “astonishing, rousing” film RESISTANCE IS LIFE
CROWHURST is a true story of British derring-do which goes severely wrong. It represents the flip-side of the British Empire — a tale of adventure and exploration that was never taught in schools.
With its central story of loss, family and idealistic romance, BABY DRIVER functions as perfect five-star, popcorn entertainment. This is the Hollywood movie perfected, writes Peter Thompson.