THE FAVOURITE’s particular presentation of History is fictionalised, feminised and though at times frightening, fearlessly fun. Hannah Clarkson reviews.
DISOBEDIENCE would have been a much more captivating tale of forbidden love if only it had freed itself of its own limitations. Serena Scateni reviews.
YOUTH is a decadent representation of how, in the frantic run towards the future, it’s easy to forget to live mindfully in the present, writes Federica Roberti.
Love, love, love. That’s what the first full feature from Liverpudlian film-maker Terence Davies’ in over ten years is about. It’s a brutal affair and THE DEEP BLUE SEA portrays it in all its horror. Euan Andrews reviews.