Despite issues, GLASS represents a successful melding of its two parent films, preserving their strengths and, more often than not, shedding their weaknesses. Alice Pullen reviews.
Altman’s legacy has been done few favours by the documentary made in his name, writes Andrew Nickolds. Better to learn about him from films such as THE LONG GOODBYE.
LOOPER is an intelligent neo-noir science fiction, with some striking images and more emotional resonance than the likes of INCEPTION. Jim Ross reviews the CFF2012 Surprise Film.
Jim Ross takes in MOONRISE KINGDOM, Wes Anderson’s latest film, and wouldn’t hesitate in recommending it – even to Anderson sceptics.