ASTRONAUT is a film that will make you reach for the stars and stick with you; always motivating and inspiring you. Joshua Ragan reviews at EIFF 2019.
Jim Ross speaks with the director of Edinburgh International Film Festival selection LOVE TYPE D, Sasha Collington.
SKIN is one of the most powerful films at the Edinburgh film Festival, not only because of its subject matter but because of its brilliant storytelling. Joshua Ragan reviews.
THEM THAT FOLLOW fails to truly reach its highest point in terms of theme and craft, but is an excellent film nonetheless. Joshua Ragan reviews at EIFF 2019.
It’s troubling to think a documentary about film criticism wouldn’t understand or appreciate the most basic of facts. This film’s ahistorical fawning doesn’t honour the life and work it purports to, writes Marc Nelson from EIFF 2019.
LOVE TYPE D has a very familiar look and feel, but the gene pool of this comedy is wide enough to result in the DNA of a healthy success of a film. Jim Ross reviews at Edinburgh International Film Festival.
Pella Kågerman and Hugo Lilja’s ANIARA is a slickly allegorical take on the doomed space flight archetype, that stands out in a crowded genre landscape. Jim Ross reviews at Edinburgh International Film Festival.
BOYZ IN THE WOOD is a fast-paced bumper car ride, with great comic timing and a sprinkling of social awareness. Jim Ross reviews the Edinburgh Film Festival opener.
The entertaining SCIENCE FAIR does much to illuminate a wider message that should be heeded, writes Jim Ross
Ably supported by his principal cast, former Jehovah’s Witness Daniel Kokotajlo crafts a tragic and engrossing narrative in APOSTASY. Jim Ross reviews.