Love Type D
LOVE TYPE D has a very familiar look and feel, but the gene pool of this comedy is wide enough to result in the DNA of a healthy success of a film. Jim Ross reviews at Edinburgh International Film Festival.
LOVE TYPE D has a very familiar look and feel, but the gene pool of this comedy is wide enough to result in the DNA of a healthy success of a film. Jim Ross reviews at Edinburgh International Film Festival.
Pella Kågerman and Hugo Lilja’s ANIARA is a slickly allegorical take on the doomed space flight archetype, that stands out in a crowded genre landscape. Jim Ross reviews at Edinburgh International Film Festival.
BOYZ IN THE WOOD is a fast-paced bumper car ride, with great comic timing and a sprinkling of social awareness. Jim Ross reviews the Edinburgh Film Festival opener.
The entertaining SCIENCE FAIR does much to illuminate a wider message that should be heeded, writes Jim Ross
Ably supported by his principal cast, former Jehovah’s Witness Daniel Kokotajlo crafts a tragic and engrossing narrative in APOSTASY. Jim Ross reviews.
MARY SHELLEY is a clumsy attempt to tell the story of a fascinating woman and literary pioneer. Jim Ross reviews at Edinburgh International Film Festival.
Jim Ross reviews CALIBRE, an excellent new thriller, which had a premiere at the Edinburgh Film Festival and is now available on Netflix
Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.
A QUIET HEART weaves an engaging personal tale into a landscape of religious tension, writes Jim Ross from Edinburgh Film Festival.
A film that presses on raw nerve endings, Jim Ross reviews the story of a man coming to terms with childhood abuse, boasting perhaps Orlando Bloom’s paramount performance.