Strange Weather
By placing her faith in her own direction and characters, and not plot histrionics, Katherine Dieckmann’s intensely personal story feels all the more universal, writes Jim Ross at Edinburgh Film Festival.
By placing her faith in her own direction and characters, and not plot histrionics, Katherine Dieckmann’s intensely personal story feels all the more universal, writes Jim Ross at Edinburgh Film Festival.
SUEÑO EN OTRO IDIOMA, driven by excellent visual and acting work, delivers on most of the themes in a beautiful and heartbreaking script. Jim Ross reviews at Edinburgh International Film Festival.
This empty lacking. This quirky cutesy. This sugary syrupy. This irksome irritating. Jim Ross reviews THIS BEAUTIFUL FANTASTIC at the Edinburgh Film Festival.
GLORY (SLAVA) is an effective drama, using its characters to draw us into a bleak film infused with satire and dark humour. Jim Ross reviews from Edinburgh International Film Festival
The portrayal of sinister Scottish hicks in THE DARK MILE is, Jim Ross would like to think, mostly absurd to anyone north of the Watford Gap…
Despite an engaging performance, Lena Olin is unable to save this pretentious story of a writer trying to find the executor of her estate, says Jim Ross.
Edd Elliott interviews Karen Guthrie about her new release THE CLOSER WE GET.
Squirm-inducing body horror, the field recording expeditions of a pig farmer, meditations on free will, and a vague romance. Paul Milne reviews Shane Carruth’s latest.