No Time To Die
NO TIME TO DIE is a viscerally effective send-off for Daniel Craig’s tenure. Still, a deep thematic confusion prevents it from resonating beyond the increasingly narrow confines of what a James Bond movie is seemingly allowed to be.
NO TIME TO DIE is a viscerally effective send-off for Daniel Craig’s tenure. Still, a deep thematic confusion prevents it from resonating beyond the increasingly narrow confines of what a James Bond movie is seemingly allowed to be.
With HAIL, CAESAR! the Coen Brothers have managed to produce their funniest film to date, writes Jack Toye at the Berlinale Festival.
SPECTRE is as entertaining as Bond would be, but relies on older films and wants to have its cake and eat it too. Jim Ross reviews.
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross
John Logan – the writer behind GLADIATOR, THE AVIATOR, HUGO and SKYFALL – was in energetic and affable form at this year’s Watersprite Student Film Festival in Cambridge.
GREAT EXPECTATIONS is a rag-to-riches tale, dark thriller and gothic love story all rolled into one. You should perhaps lower your expectations for Mike Newell’s interpretation, writes Lillie Davidson.
For the series’ 50th anniversary, fans have a Bond film that seems to get almost everything right, writes Liam Jack.
Legendary British actor Ralph Fiennes attended a special screening of CORIOLANUS at the Cambridge Arts Picturehouse, complimenting the film with an insightful, relaxed and entertaining Q&A.
“The sound of AK-47s and lines such as ‘Hear’st thou Mars?’ do not mix well.” Mihai Kolcsar reviews Ralph Fiennes’ modernisation of CORIOLANUS.