Still Life
Nobody should be lonely in 2015, with all communication settings firmly flicked to On. All the more horrific when a dead body is found in an empty home, time of death several weeks earlier…
All posts by Euan Andrews
Berberian Sound Studio
Peter Strickland’s followup to KATALIN VARGA invokes seventies European horror films and breaks down the very barriers of cinema, akin to PERFORMANCE or MULHOLLAND DRIVE, writes Euan Andrews.
The Deep Blue Sea
Love, love, love. That’s what the first full feature from Liverpudlian film-maker Terence Davies’ in over ten years is about. It’s a brutal affair and THE DEEP BLUE SEA portrays it in all its horror. Euan Andrews reviews.