The Wages of Fear
There’s plenty of set-up in this famous thriller, but once the nitroglycerine gets moving, the tension never lets up.
There’s plenty of set-up in this famous thriller, but once the nitroglycerine gets moving, the tension never lets up.
Banana alert. This preview contains suggestive allusions — carrots and mascara tubes also appear in ways that may offend.
While love may be hard to muster for this film, a deep and lasting admiration should be much easier to find, writes Mark Liversidge.
An imaginative, visually arresting portrait of a Moldovan teenager as her life changes over the course of a year.
Michael Glawogger’s unwavering eye for often uncomfortable images comes into its own in his documentary UNTITLED, writes Stephen Watson.
A black and white Portuguese horror combining old-school style with enough blood-letting to satisfy horror aficionados, writes April McIntyre.
RESCUE UNDER FIRE is a tense, energetic tale of courage and fortitude, writes Ben Johnston.
120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.
The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).
A thought-provoking look at women’s rights in Iran, through the power of the female voice.