Hit So Hard
When Patty Schemel joined Hole, she felt she should record the experience for posterity. HIT SO HARD offers footage from on the road, backstage, and at the Love/Cobain compound.
All posts by Harry Hunt
An Angel in Doel
In 2008, the Flemish government began the demolition of Doel, a historic village near the Port of Antwerp. Tom Fassaert’s documentary chronicles the destruction of the village.
A Liar's Autobiography
A LIAR’S AUTOBIOGRAPHY presents itself like an audiovisual entry from the real Hitch-Hiker’s Guide to the Galaxy, with a bit of Tristram Shandy thrown in.
The Paper Cinema's Odyssey
If Terry Gilliam decided to perform one of his animated Python cut scenes live, that might give you a rough idea of what to expect from The Paper Cinema, writes Harry Hunt.
I Wish (Kiseki)
Our man at this years Brighton Film Festival, Harry Hunt reviews Hirokazu Koreeda’s charming KISEKI. The children will love it – what a shame the BBFC slapped it with a 15 rating!
Kill List
Problems at home? Family getting you down? Don’t take that stress to work with you, especially if you’re meant to be a discreet hitman. Harry Hunt reviews THE KILL LIST, coming soon to Cambridge Arts Picturehouse.
Squint Volume One: Up on your feet
“For one night only let’s see things on a big screen, with the sound up loud – a party atmosphere to celebrate a commercial artform that continues to run deep roots into all aspects of the cultural conscience”. Harry Hunt reviews Sam Cuthbert’s anthology of music videos at Brighton Film Festival.
Hara-Kiri: Death of a Samurai 3D
The ancient samurai ritual of hara-kiri, also known as seppuku, is a symbolic suicide performed in an attempt to regain honour when all hope is otherwise lost. It is a grisly fate, involving plunging a short sword, known as a tantō into one’s stomach, and slicing left to right. An appointed “attendant” would then finish the job by relieving you of your head. Harry Hunt reviews Takashi Miike’s HARA-KIRI: DEATH OF A SAMURAI
Breathing (Atmen)
Roman Kogler (Thomas Schubert) is a bit lost. Four years in the Austrian juvenile detention system have left him numb and passionless, but he still yearns for resolution. BREATHING follows him as he seeks this resolution out. Harry Hunt reviews this directorial debut from Austrian actor Karl Markovics.