The Saviors
THE SAVIORS has interesting things to say about xenophobia, suspicion, and acceptance, even if it holds its most interesting cards in reserve for a hand it never ends up playing.
Category Archives: Reviews
Bitter Christmas
With plenty of insight into the turbulent life of a beloved creative, the experience of watching Pedro Almodóvar’s BITTER CHRISTMAS absolutely worthwhile.
Leviticus
In LEVITICUS, from debut writer director Adrian Chiarella, the idea of conversion therapy is turned into a literal, terrifying and violent real life curse in the spirit of IT FOLLOWS.
The End of Oak Street
THE END OF OAK STREET is a mostly forgettable adventure that evokes the better alternatives it seeks to use as inspiration.
Obsession
OBSESSION is at once familiar, with a simple premise, but devastatingly effective, unrelenting, unsettling and terrifying.
Eagles of the Republic
Instead of portraying resistance as heroic, EAGLES OF THE REPUBLIC examines the subtle, often demeaning negotiations individuals make with power.
The Odyssey
Nolan’s choice to adapt the Odyssey shows the continuing influence on modern storytelling, and the technical choices are emblematic of Nolan’s domination of modern blockbuster filmmaking.
Our Land
Despite some odd omissions, OUR LAND is a sweeping exploration of the relationship between the people of England and their land.
The Invite
With a nuanced perspective and a harmony of performances and technical elements, THE INVITE elevates itself into a surprisingly affecting examination of love from director Olivia Wilde.
Rosebush Pruning
At the rotting core of ROSEBUSH PRUNING, there is nothing new or purposeful to be gleaned from its boring, pointless provocations.