Engaging performances and strong direction allow BOULEVARD to overcome its more cliched elements, writes Jim Ross from Tribeca Film Festival
Although engaging and well-acted, EVERY SECRET THING lacks the visual imagination to take it up a level. Jim Ross writes from Tribeca.
NIGHT MOVES grips the audience with ever-increasing tension, according to Jim Ross at Tribeca Film Festival.
If one of the roles of a good film festival is to restore your faith in cinema, the Belfast Film Festival does just that, writes Noel Megahey.
Noel Megahey wonders whether Warmerdam’s modern-day troglodyte is a Lynchian icon of subconscious furies, or a Haneke-like threat to middle-class complacency…
Reggio follows up his QATSI trilogy with a celebration of the beauty of the world, laced with a warning about the danger of losing touch with nature and with our very souls.
The China Independent Film Fest is an important platform for Chinese indie filmmakers who are confounded by censorship in their own country. We spoke to one of the organisers.
We spoke to the director of Wales One World Film Festival, which probably offers the most accurate definition of what world cinema should be, writes Hiu Chan.
When a cultural event like the Wales One World Film Festival is conducted with such passion and love, the warmth can always be felt, writes Hiu Chan.
Alison Hicks shares the highlights of Jim Broadbent’s closing talk at the excellent Watersprite Film Festival.