Room 237
Rodney Ascher’s ROOM 237 is a lively documentary that gives voice to a variety of remarkable theories that call into question Kubrick’s intentions with THE SHINING, writes Ed Frost at London Film Festival.
Rodney Ascher’s ROOM 237 is a lively documentary that gives voice to a variety of remarkable theories that call into question Kubrick’s intentions with THE SHINING, writes Ed Frost at London Film Festival.
With THE HUNT, Thomas Vinterberg has created a masterful film full of emotional nuance and heartbreaking tension, writes Ed Frost at the London Film Festival.
ROBOT AND FRANK is a dutiful shot in the arm to science fiction, calmly addressing a range of prescient topics without flashy aesthetics, writes Ed Frost at the London Film Festival.
The BFI London Film Festival kicks off today, Ed Frost takes a short look at what is in store until October 21st. Check in with TAKE ONE for reviews of films screening at the festival.
Ed Frost reviews the latest film from William Friedkin, the Southern noir of KILLER JOE starring the reinvented Matthew McConaughey.
Part political thriller, part epic love story, Nikolaj Arcel’s A ROYAL AFFAIR is a refreshingly tender period piece, says Ed Frost.
Following on from the recently released documentary, TAKE ONE’s Woody Allen devotee, Ed Frost, takes his own look at Woody’s work and career
At the age of seventy six, he is perhaps the happiest he has ever been in his life – still diligently making a film a year. Ed Frost reviews the ambitious, affectionate WOODY ALLEN: A DOCUMENTARY
DAMSELS IN DISTRESS is a film that is as innocent as its setting but rarely amounts to anything as good as the sum of its enchanting and amiable parts, says Ed Frost
Ed Frost is generally impressed with Aardman’s tongue-twisting latest, THE PIRATES! IN AN ADVENTURE WITH SCIENTISTS, featuring Hugh Grant as a hopeless pirate