Interview with David Boyd
Edinburgh Filmhouse’s chief projectionist David Boyd offers a fascinating insight into how things work behind the scenes at the Edinburgh Film Fest.
All posts by Jack Toye
Hector
Jake Gavin’s treatment of homelessness, HECTOR, sits somewhere between CATHY COME HOME and THE FISHER KING, writes Jack Toye.
Valley of Love
Metaphysics, mortality and marriage sweat it out in the arid desert of Death Valley, California, in Guillaume Nicloux’s new feature, VALLEY OF LOVE.
Cannes Film Festival 2015: Days 9 – 11
Let last entry’s queuing situation be the only cloud on the horizon for this year’s Cannes Festival. In truth, it has been a wondrous experience.
Cannes Film Festival 2015: Days 7 & 8
“Queue” is a dirty word in France, and at Cannes it’s a bad word for Jack Toye in particular.
Cemetery of Splendour
Jack Toye reviews CEMETERY OF SPLENDOUR, competing in the “Un Certain Regard” section at the 2015 Cannes Film Festival.
Cannes Diary 2015: Days 5 & 6
Live from the 2015 Cannes Film Festival, Jack Toye predicts the Palme D’Or, and reviews entries by László Nemes and Miguel Gomes.
Interview with Jason Wood
“West End arts venues are ghettoising films and making them a province for the rich. Art should be for everybody.” We spoke to Jason Wood of HOME MANCHESTER
Cannes Diary 2015: Day 4
Jack sees his first film of the festival in the Quinzaine des Realisateurs strand, Miguel Gomes’ ARABIAN NIGHTS
Cannes Diary 2015: Day 3
“I’m sorry, I just don’t find a film about sheep or elderly shepherds that interesting, at least not in the hands of this director.”