Song To Song
Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.
Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.
Andrew Nickolds isn’t head over heels for Todd Haynes’ romance CAROL.
Live from the 2015 Cannes Film Festival, Jack Toye predicts the Palme D’Or, and reviews entries by László Nemes and Miguel Gomes.
KNIGHT OF CUPS is the seventh film in esteemed director Malick’s formidable cinematic canon, but does it live up to the hype that surrounds it at Berlinale 2015?
Cate Blanchett is a magnificent, slow-motion human disaster in Woody Allen’s BLUE JASMINE, writes Ann Linden.
Despite some curious tweaks to the plot, the first part of Peter Jackson’s epic return to Middle-earth has plenty going for it, writes Matt Fasham.
In NOTES ON A SCANDAL, a wealthy bohemian art teacher starts an ill-advised affair with a student. All of that might’ve been okay if it weren’t for Barbara, played flawlessly by Judi Dench: Patrick Fowler’s nominated madwoman.