Introducing Gerhard Lamprecht
Lamprecht’s newly-restored films are causing a celluloid stir – from a retrospective at the Pordenone Silent Film Festival in 2013 to a season at this year’s CFF.
Lamprecht’s newly-restored films are causing a celluloid stir – from a retrospective at the Pordenone Silent Film Festival in 2013 to a season at this year’s CFF.
There is plenty that is lovable in the absurdity of THE BOY WHO TURNED YELLOW, according to Andrew Nickolds.
MEND AND MAKE DO, an animated short by Bexie Bush, tells the heartfelt story of a love life lived without regret, writes Nick Kitchin.
Horror needs to be tactile and tangible, according to Hiu M. Chan, in her review of HOUSE OF WAX.
The bar is high for MONSTERS UNIVERSITY, but it doesn’t completely fail, according to Lizzie Scourfield.
“Youth” comedy can often feel forced. PETIT FRÈRE, however, feels easy and fresh. Robbie Griffiths spoke to director Rémi St-Michel about his short film.
Woollen tank-tops have never looked so cool, writes Edd Elliott.
We spoke to Kris Swanberg about her short BABY MARY, in which a little girl in Chicago takes a neglected toddler under her wing.
CHARLIE SAYS tells the brooding story of a young boy, and the consequences of a (relatively) innocent lie he tells while on holiday with his family. See it at CFF2014.
A film where nothing (and yet everything) happens, Cesc Gay’s FICTION is intensely – and authentically – romantic, writes Rebecca Naughten. See it at CFF2014.