54: The Director's Cut
Nick Kitchin reviews the director’s cut of 54, restored for originally intended viewing.
Nick Kitchin reviews the director’s cut of 54, restored for originally intended viewing.
Nick Kitchin reviews the short film ONE NIGHT IN HELL for the 35th Cambridge Film Festival
Fitfully witty but structurally unsound French jeu d’esprit: not so much ‘high art’ as ‘Hi, Art!’, writes Stephen Watson.
Precise sound design, seductive landscapes and lugubrious humour combine in a modern Czech fairytale, writes Chloë Casper.
Browne’s painterly scene-setting quickly sets the mood and dark subtexts of this slice of English eccentricity.
There is something very unsettling yet very comforting about this film, writes Faye Gentile.
IRRATIONAL MAN has a nice freshness to it, giving the die-hard Allen fans something different, writes Garry Pope.
Dour but well-observed drama about desperate times and hard choices, enlivened by the interesting family relationship at its heart.
HELLIONS revels in classic tropes from the golden age of slasher horror, writes Chloë Casper.
A laugh a minute it ain’t, but Carolina Hellsgård’s film Wanja is a gripping watch, writes Garry Pope.