Barcelona (Un Mapa)
A quietly dramatic series of chamber vignettes, the measured rhythm of BARCELONA (UN MAPA) will gradually draw you in, writes Jim Ross
A quietly dramatic series of chamber vignettes, the measured rhythm of BARCELONA (UN MAPA) will gradually draw you in, writes Jim Ross
Hitchcock’s other great horror masterpiece, THE BIRDS remains an extraordinarily effective exercise in apocalyptic terror, writes Gavin Midgley.
This slice of film geek nirvana charts the attempts to restore a colour version of Georges Méliès’ A TRIP TO THE MOON, one of the greatest and most influential films from the silent era.
Neil Brand talked us through the world of silent cinema at this year’s Cambridge Film Festival, offering commentary as well as a terrific musical soundtrack to a variety of short films.
A rarity among Alfred Hitchcock’s films in that he wrote as well as directed it, THE RING is perhaps his first fully rounded feature. Nearly two hours in length, this absorbing tale concerns two boxers competing for the love of a girl, and the resulting emotional see-saw is quite compelling, despite an utterly conventional plot. … Continue reading The Ring
Although SAVAGE WITCHES doesn’t quite work all the time, some parts of this bold and liberated experimental film are simply wonderful, writes Jim Ross.
Bryn Higgins’ first feature UNCONDITIONAL is a remarkable and novel entry into the contemporary landscape of British cinema, with a very sensitive script, a highly dynamic cinematography and an amazing cast. The opening sequence in a shopping centre, where twin brothers Owen (Harry McEntire) and Kristen (Madeleine Clark) are buying groceries, frames the basic needs … Continue reading Unconditional
This Soviet silent involves mysteries and murder alongside elements of science fiction; it also documents the least explored avant-garde movement in the Soviet Union, writes H. Chan.
Answering the question ‘who likes short shorts’, the briefest offerings were consistently the pithiest in Short Fusion’s TO CRY, writes Tom McNeill.
Emad Burnat managed to capture, first hand, the actions of Israeli soldiers in a West Bank image in this deeply personal and affecting documentary. Andrew Nickolds reviews.