Holy Motors
Despite Carax’s arch claims to the contrary, HOLY MOTORS is most easily read as both a love letter and an elegy to cinema. See it at 20.00 this Sunday, the final day of the festival!
Despite Carax’s arch claims to the contrary, HOLY MOTORS is most easily read as both a love letter and an elegy to cinema. See it at 20.00 this Sunday, the final day of the festival!
Dennis Cote’s contemplative visual essay on animals in a Canadian safari park previews at CFF 2012. Liam Jack reviews.
A small ensemble cast are led by Dakota Fanning as Tessa in NOW IS GOOD, expertly walking a tightrope between adult insight and teenage rage. Sarah Longfield reviews.
A model of restraint compared to his more action-orientated thrillers, NOTORIOUS finds Alfred Hitchcock in a subdued, quasi-romantic mood, writes Gavin Midgley.
COMIC-CON EPISODE IV: A FAN’S HOPE is a funny and amiably diverting documentary, but it ends up providing no insight into its subject matter, writes Jim Ross
Told through the eyes of Lana, who has grown up at a zoo in Jakarta, POSTCARDS FROM THE ZOO is a film that begins much like a documentary, observing the running of the zoo and the people that live there. However, Lana’s surreal experiences of meeting a magical cowboy and being taken out into the … Continue reading Postcards From The Zoo (Kebun Binatang)
Underscored by the otherworldly music of Anda Union themselves, this documentary follows the band as they venture out of their modern city environment, back to rural Mongolia. Tom McNeill reviews.
THANKS FOR THE TIP tells the story of two orphans who are brought up by their uncles and grandfather during the early years of Franco’s dictatorship. Fellini-lite, writes Andrew Nickolds.
Lack of edge in character stops any real tension developing in the tight, claustrophobic TOWER BLOCK, writes Edd Elliott.
Black marketeer, bandit, separatist hero and murderer of innocents – the story of SALVATORE GIULIANO kicks off the Francesco Rosi season today at the Arts Picturehouse.