Laurence Anyways
Despite its aesthetic qualities and an incredibly honed auteurist signature, Xavier Dolan’s LAURENCE ANYWAYS fails to deliver a worthwhile conclusion , writes Ed Frost at London Film Festival.
Despite its aesthetic qualities and an incredibly honed auteurist signature, Xavier Dolan’s LAURENCE ANYWAYS fails to deliver a worthwhile conclusion , writes Ed Frost at London Film Festival.
SISTER is a straightforward and tender film that depicts a simple tale of survival, and the bonds that tie its protagonists together, writes Ed Frost at the BFI London Film Fest.
Masaaki Akahori’s debut film brings a novel approach to the samurai subgenre, playing out the story of good versus evil a peculiar and introspective level, writes Ed Frost at the BFI London Film Festival.
Rodney Ascher’s ROOM 237 is a lively documentary that gives voice to a variety of remarkable theories that call into question Kubrick’s intentions with THE SHINING, writes Ed Frost at London Film Festival.
With THE HUNT, Thomas Vinterberg has created a masterful film full of emotional nuance and heartbreaking tension, writes Ed Frost at the London Film Festival.
ROBOT AND FRANK is a dutiful shot in the arm to science fiction, calmly addressing a range of prescient topics without flashy aesthetics, writes Ed Frost at the London Film Festival.
The BFI London Film Festival kicks off today, Ed Frost takes a short look at what is in store until October 21st. Check in with TAKE ONE for reviews of films screening at the festival.