96 Ways To Say I Love You
Love is a broad, deep and many-layered subject, and it’s an ambitious topic in any medium, let alone a short film, writes Jack Stocker.
Love is a broad, deep and many-layered subject, and it’s an ambitious topic in any medium, let alone a short film, writes Jack Stocker.
We spoke to filmmaker Daisy Aitkens about her CFF Short Fusion contribution 96 WAYS TO SAY I LOVE YOU.
Based on true life events, WHITE SHADOW tells the story of Alias, an albino boy in Tanzania, as he is hunted by local witch doctors.
“A comedy in the style of Guy Ritchie, perhaps. Maybe a little bit of the Coen brothers.” We spoke to Santi Amodeo about his crime caper WHO KILLED BAMBI?
The Manchester Cornerhouse’s Viva festival kicked off with Quién Mató a Bambi? – a Spanish crisis comedy directed by Santi Amodeo.
Jack Stocker reviews BEYOND CLUELESS, an experimental documentary which describes itself as “part adolescent fever dream, part roving visual essay”.
The ICA Artists’ Moving Image Network offers an ongoing series of screenings of new and rarely seen artist film and video work, at Manchester’s Cornerhouse.
THE TWO FACES OF JANUARY screened recently at Manchester’s Cornerhouse, followed by a Q&A with Viggo Mortensen and Hossein Amini. Jack Stocker reviews.
FILMED UP is a new filmmakers’ showcase devised by Cornerhouse Manchester. Jack Stocker reviews some of the shorts that made it onto the March programme.
The Nordic Giants continue to bring their euphoric post-rock cinema experience to unusual locations across the UK; Jack Stocker reports back from Manchester’s Ruby Lounge.