Fences
FENCES is a powerful and engaging family drama, but it always seems a little fenced in cinematically by its theatrical origin. Jim Ross reviews.
FENCES is a powerful and engaging family drama, but it always seems a little fenced in cinematically by its theatrical origin. Jim Ross reviews.
MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.
LOGAN tells an involving and impactful story, with Hugh Jackman’s send off the best use of a superhero property in years. Jim Ross reviews.
Jim Ross examines the unique place of TRAINSPOTTING in Scottish pop culture and how T2 TRAINSPOTTING captures the progression of a nation since the original
TAKE ONE Awards for the calendar year 2016
Jim Ross examines how the movie universe concept will eventually collapse, and be subject to the same science and laws as our own universe.
THE NICE GUYS doesn’t break any moulds and is obviously a Shane Black creation – but that is precisely why it’s good. Jim Ross reviews.
Despite the always-engaging Tom Hanks, the themes of A HOLOGRAM FOR THE KING feel malnourished and an imitation of better films. Jim Ross reviews.
Although not a total knockout, the talent of Ryan Coogler and Michael B. Jordan shines through in ROCKY spin-off CREED. Jim Ross reviews.
TAKE ONE Awards for the calendar year 2015.