All posts by Jim Ross

Jim has written about film since freelance since 2010, and is a co-founder and the Editor-in-Chief of TAKE ONE Magazine. From 2011-2014 he was a regular co-host of Cambridge 105FM's film review show. Since moving back to Edinburgh he is a regular review and debate contributor on EH-FM radio's Cinetopia film show. He has worked on the submissions panel at Cambridge Film Festival and Edinburgh Short Film Festival, hosted Q&As there and at Edinburgh's Africa In Motion, and is a former Deputy Director of Cambridge African Film Festival. He is Scottish, which you would easily guess from his accent.

Stardust

STARDUST isn’t terrible, but it doesn’t seem to strive for much more than that. The Bowie biopic lacks the cryptic charisma of its subject; something that might distract from a disjointed and inconsequential narrative.

Tenet

TENET ends up something of a Rube Goldberg machine of a film: a wondrously complex set of mechanics that is fascinating, but also an incredibly convoluted way of masking what is, in essence, a thin and poorly executed story.

Ma Rainey’s Black Bottom

George C. Wolfe’s adaptation of the August Wilson play is a demonstration of captivating and powerful acting. Although it never seems to flourish visually, the chamber-piece story and powerful performance of the late Chadwick Boseman and the supporting ensemble carry it far.

Mank

MANK may become more of a cinematic curio in Fincher’s filmography but it has enough bite and edge here to give the film some degree of insight beyond the origin of one of cinema’s most significant works.

The Nest

Sean Durkin’s first feature film since MARTHA MARCY MAY MARLENE – one of the best debuts of the previous decade – is a parable of the pursuit of prosperity begetting toxicity. Durkin’s characters and story show the descent of a family unit and place of shelter into a nest of vipers. The film begins in … Continue reading The Nest