The Story of Yonosuke
Noel Megahey reviews the relatively simple and heart-warming tales of youthful friendship that form THE STORY OF YONOSUKE
Noel Megahey reviews the relatively simple and heart-warming tales of youthful friendship that form THE STORY OF YONOSUKE
Noel Megahey reports back from the Belfast leg of the The Japan Foundation Touring Film Programme 2014.
Seven films from the festival travelled to Belfast for the first time this year, for a week of showings at the Queen’s Film Theatre. Noel Megahey reviews.
Marco Bellocchio’s approach to the subject of assisted dying demonstrates why he is still probably the most important filmmaker in Italy today, writes Noel Megahey.
“The personal impression I always take away from a Belfast Film Festival is one of a programme of intense, gritty and challenging new international cinema. The 13th BFF was no exception.”
You have to adjust your view of traditional film narrative and structure if you want to get the most out of an Abbas Kiarostami film, writes Noel Megahey at Belfast Film Fest.
RADIO FREE ALBEMUTH, which screened at Belfast Film Festival, is the closest we’ve seen yet to Philip K. Dick’s vision being put on the screen, writes Noel Megahey.
From horror, comedy, thrillers and animation to period films and docudramas, ONCE UPON A TIME IN JAPAN demonstrates the richness, the diversity and the relevance of a contemporary Japanese cinema that is vastly under-represented on the international film circuit.
REBIRTH follows the traumatised childhood of Erina, an individual who must confront fundamental questions about her own identity if she is not to repeat mistakes made in the past.
KAIDAN puts a reflective spin on the traditional ghost story by engaging writers and film directors unfamiliar to the genre.