All posts by Simon Bowie

Bird

Andrea Arnold’s latest film, BIRD, is a beguiling blend of British social realism and magical realism, exposing the deep yearning towards nature in a dying England left adrift at the end of the world.

Woken

WOKEN is a sci-fi thriller that packs a punch disproportionate to its small scale and short length. Despite some unfortunately clumsy tropes deployed in the third act, WOKEN still has enough twists and turns and enough contemporary relevance to be a thriller worth checking out.

La Chimera

Its odd tempo and mythic resonances make LA CHIMERA feel like a half-remembered story that you first heard years ago. The film’s surprising richness will bury itself in your mind in a way that finds you stumbling across it afterwards.

Saltburn

SALTBURN ends up feeling like an aristocratic British estate. Superficially, it looks wonderful, but the deeper you get, the more you see the cracks and how much this symbolic edifice is crumbling away with nothing meaningful to hold it up.

Asteroid City

ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.