All posts by Simon Bowie

Stealing Pulp Fiction

STEALING PULP FICTION has an ironic postmodern sensibility combining a reverence for cinema and the cinema-going experience – midnight screenings, overflowing tubs of popcorn, the smell of 35mm prints – with an ironic appreciation of Quentin Tarantino’s own postmodern work.

Presence

PRESENCE may be destined to simply be another formally experimental work for Soderbergh, but there is enough compelling drama and character work that it deserves more consideration than that.

Bird

Andrea Arnold’s latest film, BIRD, is a beguiling blend of British social realism and magical realism, exposing the deep yearning towards nature in a dying England left adrift at the end of the world.

Woken

WOKEN is a sci-fi thriller that packs a punch disproportionate to its small scale and short length. Despite some unfortunately clumsy tropes deployed in the third act, WOKEN still has enough twists and turns and enough contemporary relevance to be a thriller worth checking out.

La Chimera

Its odd tempo and mythic resonances make LA CHIMERA feel like a half-remembered story that you first heard years ago. The film’s surprising richness will bury itself in your mind in a way that finds you stumbling across it afterwards.