The World of Road Movies
Where we’re going, we don’t need roads. Do we? Anthony Davis introduces our latest run of themed features.
Where we’re going, we don’t need roads. Do we? Anthony Davis introduces our latest run of themed features.
If BEFORE SUNRISE and BEFORE SUNSET are films about the beginnings of fire, BEFORE MIDNIGHT is about how to stoke a blaze, writes Ann Linden.
This month’s theme is lesbian Belgian directors. Chantal Akerman hates labels but fits the bill. We look back at her drowsy meditation on Proustian obsession, LA CAPTIVE.
Murder, drug binges, espionage, prostitution… the early British film industry revelled in salacious behaviour fit to match any Hollywood gossip column, writes Amanda Randall.
On the 20th April, British Silents and BFI presented an all day programme of London-related film at London’s Cinema Museum. Keith Braithwaite describes the experience.
“They make phone calls without saying hello or goodbye and in-between speak only in imperatives, replying in monosyllables.” Martin McGuigan looks at the wild world of Noir.
There aren’t many cinemas left in this country that are over 100 years old. Happy centenary to the pioneer of the Picturehouse group: the Phoenix in Oxford!
When a scientist starts to experiment with a drug which makes him invisible, little does he know the trouble it will unleash. But the star turn in THE INVISIBLE MAN is hysterical landlady Una O’Connor, writes Eve Stebbing.
The documentary panel at Watersprite explained how the opportunities that documentary filmmaking offers can lead to a filmmaker changing the world.
Jonathan Toomey experiences the extraordinary diversity of this leading UK animation festival.