Those Who Come, Will Hear
THOSE WHO COME, WILL HEAR is a suggestion of director Simon Plouffe’s full potential, despite not always connecting with the cultures it depicts, writes Luka Vukos at Open City Documentary Festival.
Category Archives: Festival Coverage
Gonjiam: Haunted Asylum (곤지암)
GONJIAM suffers from none of the classic issues of found footage, writes Alice Pullen from the London Korean Film Festival teaser screening.
The Swing
Closing this year’s Open City Documentary Festival, THE SWING marks Cyril Aris as a filmmaker to anticipate in the future, writes Luka Vukos.
Baronesa
Although the meandering approach robs BARONESA of momentum, the outlook and perspective is a fresh one worth engaging with. Jim Ross reviews the opening film of Open City Documentary Festival.
Kinshasa Makambo
Dieudo Hamadi’s examination of the Democratic Republic of Congo’s struggles with political corruption is bleak but visually and narratively gripping. Jim Ross reviews at Open City Doc Fest.
Mary Shelley
MARY SHELLEY is a clumsy attempt to tell the story of a fascinating woman and literary pioneer. Jim Ross reviews at Edinburgh International Film Festival.
Calibre
Jim Ross reviews CALIBRE, an excellent new thriller, which had a premiere at the Edinburgh Film Festival and is now available on Netflix
Searching
Jim Ross reviews thriller SEARCHING – shown entirely through digital technology screens – premiering at the Edinburgh International Film Festival
Cold War
Loosely based on director Pawel Pawlikowski’s parents’ lives, COLD WAR tells the story of a passionate love affair during the 1950s.
Cannes Short Film Press Conference
Juanita Samson and Elle Haywood report back from “Meet the Directors” at Cannes.