Wojaczek
This film dealing with a poet’s urge to self-destruct is often unexpectedly, if darkly, funny.
This film dealing with a poet’s urge to self-destruct is often unexpectedly, if darkly, funny.
UNTIL I LOSE MY BREATH’s bleakness is its virtue and its fault, writes Sarah Longfield.
Get those tissues ready: it’s the last Take One On Air of 2015. Edd Elliott and Ben Dalton give their round up of this year’s Cambridge Film Festival.
“99 HOMES can’t be faulted for its moral clarity and sharp commentary on a brutally competitive society.” Jim Moore reviews.
You will leave TOKYO TRIBE little more than an idyllic splatter mark, pulverised by a blender of pure lunacy
The first of Lech Majewski’s painting-inspired trilogy, THE GARDEN OF EARTHLY DELIGHTS orbits questions of materiality, mortality and the image.
This compelling documentary follows dark visionary Nicolas Roeg in a retrospective of his directing career. Ben Dalton reviews.
We spoke to director Matt Sadowski about his film PRETEND WE’RE KISSING, which he refers to as a “non rom-com”.
We spoke to filmmaker Daisy Aitkens about her CFF Short Fusion contribution 96 WAYS TO SAY I LOVE YOU.
An expert, if not wholly balanced, retelling of the still-relevant story of the Black Panthers.