El Cafè De La Marina
Hear Catalonia and you might think sun, sand and sangria. Sylvia Munt’s drama basks in few such pleasures.
Hear Catalonia and you might think sun, sand and sangria. Sylvia Munt’s drama basks in few such pleasures.
Maria Ripoll’s TRACES OF SANDALWOOD is a real crowd pleaser, writes Nashwa Gowanlock.
PALIO explores the strange world of Siena’s famous horse race.
RIPCOR: RIDING WITH MAMILS is a modest, funny and inspiring film about a group of guys banding together, getting on their bikes and riding.
He may be a cynic, but Juan Schnitman reminds us why we can’t stop listening to that couple losing it in public.
Edd Elliott gives a low down of the under-the-radar themes of this year’s Cambridge Film Festival.
Jake Gavin’s treatment of homelessness, HECTOR, sits somewhere between CATHY COME HOME and THE FISHER KING, writes Jack Toye.
Metaphysics, mortality and marriage sweat it out in the arid desert of Death Valley, California, in Guillaume Nicloux’s new feature, VALLEY OF LOVE.
Let last entry’s queuing situation be the only cloud on the horizon for this year’s Cannes Festival. In truth, it has been a wondrous experience.
“Queue” is a dirty word in France, and at Cannes it’s a bad word for Jack Toye in particular.