Portrait Of The Artist
Fitfully witty but structurally unsound French jeu d’esprit: not so much ‘high art’ as ‘Hi, Art!’, writes Stephen Watson.
Fitfully witty but structurally unsound French jeu d’esprit: not so much ‘high art’ as ‘Hi, Art!’, writes Stephen Watson.
Precise sound design, seductive landscapes and lugubrious humour combine in a modern Czech fairytale, writes Chloë Casper.
Kurt Langbein’s film shines a light on the dark business of intensive agriculture where profits come before people, writes Gavin Midgley.
ATOMIC isn’t all death and destruction. There’s a very positive side to the story, celebrating ingenuity, determination and compassion.
Dour but well-observed drama about desperate times and hard choices, enlivened by the interesting family relationship at its heart.
A laugh a minute it ain’t, but Carolina Hellsgård’s film Wanja is a gripping watch, writes Garry Pope.
Jim Moore reviews Czech classic CLOSELY OBSERVED TRAINS.
This beautifully realised romance makes it easy to suspend disbelief even after 67 years.
Forget mid-western tumbleweed or the dusty horizons of southern Italy – DARKNESS trucks the violent western to the green fields of Ireland.
Faye Gentile interviews Daniel Fawcett artist and director behind SPLENDOR SOLIS