Born
Claudio Zulian splashes on the light and architecture in this historical slice of Barcelona in the 18th century.
Claudio Zulian splashes on the light and architecture in this historical slice of Barcelona in the 18th century.
Dare your subconscious to concoct some homebrew version of LET THE RIGHT ONE IN and ÊTRE ET AVOIR and you might ferment something like CHILDREN OF THE NIGHT.
Frank Hall Green’s WILDLIKE uses the strong imagery of the Alaskan wilderness to propel a simple yet engaging storyline, writes Yozzie Osman.
CFF’s German shorts are united in their appeals to the rawest elements of human experience: estrangement, desperation and our ultimate need for hope.
“A joyful experience…” Garry Pope reviews the short film strand FUSION: LOVE & DEATH.
THE VISIT imagines an alien craft has landed on Earth and explores the governmental, military and scientific response in the event of ‘first contact’.
Maria Ripoll’s TRACES OF SANDALWOOD is a real crowd pleaser, writes Nashwa Gowanlock.
PALIO explores the strange world of Siena’s famous horse race.
The dance craze Azonto is spreading from the back-streets of Accra to London’s dance studios and freezing inner-city.
Modern-dress morality play ALL THE WAYS OF GOD takes as its starting point the character of Judas and the lacuna between his betrayal of Jesus and his subsequent suicide.