The Forecaster
The developer of the Economic Confidence Model, economist Martin Armstrong claims that the rise and fall of a nation can be predicted by his formula.
The developer of the Economic Confidence Model, economist Martin Armstrong claims that the rise and fall of a nation can be predicted by his formula.
BILL is a compelling comedy gem, a film meant for the whole family that gives a comic twist to William Shakespeare’s early life and the beginning of his career as a playwright.
Though not without faults or bizarre accents, this ambitious, low-budget film about pioneering photographer Eadweard Muybridge has much to recommend it.
Maya Forbes’ slice of life drama’s joyous energy is infectious, but its melodrama prevents it from being truly emotionally impactful, writes Blake Simons.
The latest found footage horror from South America takes a different perspective on its chills, writes Mark Liversidge.
Gamboa and Barberini’s fiery performances brilliantly represent the relatable story of young lovers struggling to regain a lost intimacy by any means necessary.
Plenty of initial spark but the drama fails to maintain its sizzle. Lillie Davidson reviews THE CHAMBERMAID LYNN.
The 2006 remastered version of THE HARDER THEY COME is an inspired fusion of exploitation film, neorealist drama and musical, writes Jim Moore.
Ben Dalton, Edd Elliott and Lillie Davidson talk DARKNESS ON THE EDGE OF TOWN, WHY ME?, THE CHAMBERMAID LYNN and foot fetishes.
Having seriously injured almost all of its cast and crew, ROAR will appeal to lovers of B-movie car-crash cinema