Roar
Having seriously injured almost all of its cast and crew, ROAR will appeal to lovers of B-movie car-crash cinema
Having seriously injured almost all of its cast and crew, ROAR will appeal to lovers of B-movie car-crash cinema
HITCHCOCK and THE GIRL use cinema to simultaneously observe and attack Hitch whilst airing the dirty laundry of a man who can no longer answer back, writes Ed Frost.
The gripping psychological thriller MARNIE is most likely one of Hitchcock’s lesser appreciated films, as it misses most of the visual horror and obvious suspense of THE BIRDS or VERTIGO. Maria Sell reviews.
Hitchcock’s other great horror masterpiece, THE BIRDS remains an extraordinarily effective exercise in apocalyptic terror, writes Gavin Midgley.
Hitchcock was a relentless explorer of human limitations – those of his characters, as well as those of his audience. Emma Wilkinson looks at themes of entrapment and suppression in his greatest films.