Violet
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
Ivan Kavanagh’s THE CANAL is a combination of classic and modern horror story, giving it a new sharper edge, writes Rohan Ilet.
NIGHT WILL FALL is a remarkable film about an incredibly complex and difficult subject. Andre Singer and his research team tell a powerful story.
THE HYPNOTIST draws on and explores a wide variety of taboos, creating a film that both captivates and surprises, writes Emma Wilkinson.
WILL AND TESTAMENT is a moving portrait of the life and times of a remarkable man; a voice against the prevailing tide of political thinking, writes Nick Kitchin.
PEOPLE TO EACH OTHER proves an uneven piece of social commentary, according to Stephen Watson.
Emmanuelle Devos’ performance is at the heart of VIOLETTE, according to Hannah Clarkson.
IN ORDER OF DISAPPEARANCE is a strong thriller with a streak of dark comedy, according Liam Woodcock.
The factory of JOY OF MAN’S DESIRING is other worldly, its insights almost post-human, according to Ben Dalton.
MONICA Z is good, but maybe an opportunity missed, according to Stephen Watson.