Dancing in Dulais
The delirious kinesis of DANCING IN DULAIS proves infectious. Let’s just hope it spreads, writes Ben Dalton.
The delirious kinesis of DANCING IN DULAIS proves infectious. Let’s just hope it spreads, writes Ben Dalton.
The legacy of colonialism is explored in N: THE MADNESS OF REASON.
The interweaving narrative of ACRID leaves lots of space for character observation, according to Jim Moore.
The life journey of OH BOY is set to be a real crowd-pleaser, according to Andrew Nickolds.
Jennifer Aniston may be one of the brightest lights in LIFE OF CRIME, according to Andrew Nickolds.
NINGEN delights in a type of storytelling so refreshing in its refusal to be defined by simple morals, neat endings and tied up plots, writes Sarah Dillon.
TIR makes the most of the mundane, according to Andrew Nickolds.
The start of a highly promising odd-couple detective partnership, according to Stephen Watson.
If you’ve ever done something bad to a Sylvanian Families doll, you will relish the cruel comedy of Frauke Finsterwalder’s FINSTERWORLD, writes Faust Lerner.
PETER SELLERS: THE EARLY SHORTS have problems but are oddly prescient according to Ben Dalton.