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The Fritz Lang classic, M, is obviously worth another watch, according to Sarah Lambert.
The Fritz Lang classic, M, is obviously worth another watch, according to Sarah Lambert.
HOW I CAME TO HATE MATHS is worth showing to the kids, according to Sarah Dillon
HOME FROM HOME is a monumental work, and a true successor to Edgar Reitz’s HEIMAT series, according to Mike O’Brien.
Jesse Moss’ documentary is a story about work, masculinity, faith and the difficulty of doing good, writes Jim Moore.
SEVEN STREETS, TWO MARKETS AND A WEDDING exposes the very mechanics and building of London in great style, according to Ben Dalton,
Taut and well crafted, WAR STORY follows the recovery of a war photographer. Amanda Randall.
At its height, there is something both innovative and truimphant in THE WOMAN WHO DARES, according to Liam Woodcock.
OF GIRLS AND HORSES has lots of observations to make, maybe too many, according to Sarah Longfield.
THE CASE AGAINST 8 may not be frilly, but it doesn’t need to be, according to Sarah Dillon.
MAGIC IN THE MOONLIGHT makes the bold declaration that rational thinking and logic cannot co-exist where passion and love are the ruling forces.