Disturbia
Rosy Hunt reviewed DISTURBIA at Cambridge Film Festival in 2007. Just a quick note to show that we knew a long time ago that Shia LaBoeuf was feeble.
Rosy Hunt reviewed DISTURBIA at Cambridge Film Festival in 2007. Just a quick note to show that we knew a long time ago that Shia LaBoeuf was feeble.
Justin Chadwick’s superficial overview of the late icon’s life fails to do justice to its subject, writes Gavin Midgley.
“Pure random genius.” Alison Hicks sent us this report on whether the ANCHORMAN sequel lived up to its cult predecessor.
Re-released as part of the BFI’s Gothic strand, THE INNOCENTS is a work of haunting resonance, writes Gavin Midgley.
Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.
Andrew Bujalski’s bizarre curio raises big questions about technology and the nature of intelligence, writes Jim Moore.
Spike Lee’s remake of OLDBOY is a noble yet pointless and perfunctory attempt to retell the story for the subtitle-phobic, writes Patrick Fowler.
Dark, witty and utterly inspired, Švankmajer’s FAUST is a work of maniacal genius, writes Hannah Clarkson.
Alexander Payne demonstrates a humanity that has defined his career with his warm, humorous road movie NEBRASKA, writes Andrew Nickolds.
Say what you like about Francois Ozon: he constantly manages to wrong-foot you, writes Andrew Nickolds.